Hypex UcD LP Modules

Hypex offers multiple low-profile UcD® amplifier modules for multi-channel applications and pro-audio systems. Ranging from 180W to 400W with a very small form factor these UcD® LP amplifiers are highly efficient.

The UcD180LP (Low Profile Low Profile OEM version) amplifier module is a self-contained high-performance class D amplifier intended for a wide range of audio applications, ranging from Public Address systems to ultrahigh-fidelity replay systems for studio and home use. Chief distinguishing features are flat frequency response irrespective of load impedance, nearly frequency-independent distortion behaviour and very low radiated and conducted EMI. Control is based on a phase-shift controlled self-oscillating loop taking feedback only at the speaker output.

  •  “UcD” stands for “Universal class D amplifier”. This is a reflection of the requirements put forward when it was developed, and of the extent in which it embodies them. The amplifier should be as easy to use, if not easier, as a linear amplifier. As a module, its application should not require special EMC knowledge. Its audio performance should not depend on special thought from the user either. This dictated good PSRR and the use of differential signal inputs. 
  • It should have excellent EMC performance. Many products use it in one box with a radio tuner. The reception quality should not be appreciably affected even if the antenna was a piece of wire dangling next to the speaker wires. 
    It should be simple circuit-wise. This would reflect itself in cost (the company’s main desire) and in its usefulness in audiophile applications (my main desire). Self-oscillation becomes the automatic choice. Less common was the decision to construct the active electronics with discrete parts only. 
  • It should be completely load-invariant. The loudspeaker-dependent frequency response deviations that other class D amplifiers exhibited, while usually being of a euphonic nature, were to me an impediment to their use in true high-end audio.Euphonic colouration is still colouration and therefore not acceptable.
  • THD should be low enough such that it would not produce any sound colouration. My experience with tube amps and low-feedback amps of various sorts was that 0.05% THD in itself does not manifest itself as colouration, as long as it is independent of frequency and as long as 2nd and 3rd harmonics dominate. The spec was pinned at a maximum of 0.03% up to half rated power and loop gain had to be constant across the audio range. Reducing THD at lower frequencies is not hard to do (class D amplifiers delivering 0.005% at 1kHz were already on the market) but sound quality would actually be worse off.